Moonlit Mind

It’s the middle of the night. Last time I looked at the digital clock on my nightstand, it said “2:44” and that seems like hours ago. I’m laying on my back with the blanket balled up beneath my chin and my eyes closed, hoping that somehow, someway, sleep will take me. I know in my gut that it won’t, but I try anyway.

I do this more often than not—lay awake at night hoping for sleep typically without success. It’s a common thing for us to do, to have our minds flooded with fragments of every small memory, distant worry, running checklist, and distracting thought the second our heads hit the pillow: I know this because I see enough of my friends post memes about busy-minded insomnia to know I’m not alone. But damn, if it isn’t exhausting. I sigh, roll over into a fetal position, and open my eyes to see that it’s 3:30 now. One of my dogs must sense my movement because from across the room, I hear the tinkling of a collar.

At this point, the bed is no longer comfortable and the silence and darkness have become a perfect and chaotic breeding ground for toxic thoughts to pour from the pockets of insecurities that I carry around, so I slide out from under the blankets. It’s cold out here. Draped over the dresser is my flannel shirt which I grab and wrap myself in as I head into the living room. Tucker, the dog with the tinkling collar, follows me.

The floor glows blue in stretched out moonlight and is cold under my feet. I sit in my favorite spot on the couch and pull a throw blanket over myself. This side of the couch—my preferred side—is a perfect looking spot next to a window that faces the barn where my three donkeys are snuggled in, hopefully nuzzled together and not busy-minded like me. The thought of their thoughts makes me smile. Last week, my vet came out to perform Bodhi’s castration and as he was waking from his sedative, the vet told me he often wonders if donkeys dream. “They’re so smart, you know,” he told me in his gruff, East-Texas accent, “and I’m just curious what they must dream about. Surely they do.” I adored my vet before this comment but when he said that, my admiration for him leveled up. He gets donkeys. He wonders about their dreams.

He, my vet, was there the day Tink died. It was a Saturday afternoon and we had to call him out in an emergency. He was there within 20 minutes of our call and stayed until we said our final goodbye. At the time, I didn’t know him very well, but he hugged me tight when I crumbled and began to weep. I left smudged mascara marks on his brown vest. I think about that often.

The barn is blue in the moonlight and above it, a perfectly clear, cold sky twinkles with a few, bright stars. It’s been dropping down to the 20’s at night which for us here in Texas is brutal. The throw blanket tugs and I break my gaze with the barn to see Tucker nosing the blanket. Tucker will be 10 this year and for at least the past 6 years, he finds his way to me every single time I sit in my spot on the couch with a throw blanket and my legs curled up beneath me. I adjust myself and lift the blanket, allowing him to hop up and curl into a perfect dog ball next to my legs. I cover him with the blanket and he sighs. This is our assumed position.

I stroke the shape of Tucker’s back and look back to the barn. Bodhi’s recovering beautifully from his castration. I’ve seen many donkeys castrated and it’s never phased me a bit, but seeing your own baby who you used to bottle feed under the knife like that is a whole other story. He’s a little fighter though, our orphaned donkey who tried to steal the Christmas tree. He’s already back to his same, silly shenanigans.

Somewhere in the distance, I hear a dog bark. Tucker tenses and from under the blanket, the shape of his ears perk. “Shhh,” I say to him, stroking his head, “it’s okay.” He sighs again and relaxes.

But is it? Is it okay? Who am I to know? Maybe a dog is barking because someone’s house is getting robbed somewhere. Or maybe someone has abandoned their dog and he or she is terrified and calling out for rescue. Or maybe that dog heard another dog who heard another dog and the bark chain actually started out in Louisiana somewhere because a tree fell down in someone’s backyard. I don’t know. I don’t know if it’s okay.

I wonder if my vet was able to get the mascara smudges off of his brown vest? I haven’t been able to work up the nerve to ask him or to offer to buy him a new vest if he wasn’t able to get the stains out. I mean, in my experience, mascara comes out of clothes pretty easily, but what if? How can I know and why am I afraid to ask? And how is it that we can exist on the cellular level and a cosmic level all at the same time? Our cells are constantly regenerating and our imaginations can wander anywhere in the known (or unknown) universe. Isn’t that wild? How infinite we are? And so how, in our vastness, can insecurities about trivial things travel around with us everywhere we go? Why does it matter? Who cares about what other people think and why am I still worrying about a conversation that went badly with an old friend a decade ago?

Tucker sighs again and I realize my whole body has become tense. I close my eyes and take in a deep breath all the way to the bottom of my lungs. I hold it there for a few seconds, then sigh it out. I do this again, breathe in all the way, hold it, and let it go. I do this over and over and over until it’s quiet…until my muscles relax over my bones like jelly.  Mascara does come out of clothes. I know this. And sometimes, dogs bark for no reason and conversations go badly. It just happens. That’s okay.

The clock above the mantle says it’s nearly 4:30am and so I figure I ought to go ahead and get my day started. I pat Tucker on the rump, grab my coat and boots, and head out in the cold morning to feed the donkeys and muck their stalls. The moon is bright behind the trees leaving everything a glowing blue.

I breathe in deep, the air cold in my gut, and sigh it out in a small cloud that floats away towards the few stars competing with the moon’s gaze. Cosmic, indeed.

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“A Place For Us All Here”

They ain’t lying when they say it’s always darkest before dawn because it’s about a quarter of 6AM and the surrounding darkness is almost suffocating. I’m on a winding, two-lane highway which slowly and repetitively climbs up then dips down between heavy pines with dangling, skeletal fingers. Signs tell me that I’m fixing to cross over the Sabine River into Louisiana.

For the first time in probably thirty minutes, another vehicle appears around the corner in front of me and I quickly turn off my car’s brights. They do the same and I have to say how much I love the respect we strangers show each other during overnight driving. Rarely in my dark drives have I ever experienced the motorist who fails to turn off their brights and I think that says a lot about how polite people are just by nature. I’d wave, but they won’t see me—I imagine they think about waving, too. As soon as they pass, I click my brights back on. Long, curvy lines of yellow reflectors. Piney fingers. Slithering fog in ditches.

I’m ashamed to admit it being a native Texan and all, but I’ve never been to Louisiana. My friends give me a hard time for this. “What? You’ve never been to Louisiana? New Orleans? But you’re so close!” I know, I know, I’ve no excuse. But then here, around this corner, I come upon a break in the trees and the highway turns into a bridge and halfway over the bridge, my only travel companion, Google Maps, interrupts my audio book and says, “Welcome to Louisiana.” I smile.

The bridge ends and here I am: Louisiana. Maybe it’s the profound darkness, the solitude, or the fact that the fog sure seems to be collecting more and more of itself, but Louisiana feels different. Not even a mile past the Sabine and it feels like I’ve entered into a distant and strange land. As they say, Google Maps, we’re not in Texas anymore. I have about ten hours left to go on my planned drive to Atlanta, Georgia. I should get there by 5PM their time which will be just in time to head on over to The Tabernacle to see my most favorite band of all time, Old Crow Medicine Show.

My decision to make this trip is barely a day old: completely impulsive and last minute and the thrill attached to that kind of pseudo-recklessness is the real caffeine I need right now, just before dawn. This is exhilarating to me and also a bit chilling because coincidentally, as I’m making my debut travel through Louisiana, my audiobook moves to the next story: ‘Bitter Grounds’ by Neil Gaiman. For y’all who are unfamiliar with this story, (and if you are unfamiliar, I would recommend picking up his book of short stories, ‘Fragile Things,’ because they’re the kind that stick with you) it’s about a man who has decided to start driving without a particular destination and, on his own, ends up in New Orleans where…well…I won’t give spoilers. I begin to imagine that I am like that man, just driving and driving. This is not the first road trip where Neil Gaiman has kept me company. I hope he knows I’m grateful for this.

“Why are you driving to Georgia?” my mom asked me when she called yesterday and I told her of my newly hatched plan. I couldn’t really give her an answer. I didn’t know why I suddenly had this red-hot urge to just go somewhere and I suppose I still don’t really know. She wasn’t a fan of this plan, her being a perpetual worrier like me. I assured her I’d be fine and also, I had a knife in the center console which I know how to wield, so…all good. I could feel her eyes roll through the phone.

On I drive through an eventual pink sunrise, a small rain storm, sheep-clouds, no clouds, acres upon acres of cotton fields, and then fields of…what is that, soybean? I’m not sure. Corn, cotton, and wheat are the only crops I think I can pick out when they’re in fields.

Mississippi,

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Alabama,

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and then finally, Georgia.

I get to the venue early. I want to be in the front row because last time I saw Old Crow, I’d ended up in seats that didn’t give me any room to dance until I hurt which is, as far as I’m concerned, the proper way to behave at one of their shows: reckless, wild, and completely unhinged from everything. When they’re on stage, nothing else in the entire world matters. They are such, sweet freedom. (And darn cute, too.)

So I dance. I dance and I sing and I clap until my hands begin to bruise and sweat is winding down my spine and there, in the glow of the shifting lights and rhythm pulsing through the room, I am free…

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…free…

“Free from what?” I wonder as I bounce and sing and slide my gaze over all the elated faces around me while completely alone in an unknown place. Then I realize it: I’m free from my worries. Oh my dang worries, my parasitic worries. They stand no chance here.

I’m not shy about the fact that I struggle with anxiety. Part of my dealing with it is constantly trying to break the stigma around mental health issues. I have anxiety? You have anxiety? Or something else? Not a big deal. Let’s love each other a little more for it so that we can create platforms to deal with our emotions in healthy and supportive ways. Our brains and hearts are so utterly complex and can feel so deeply that it’s not surprising that they can get a little out of hand from time to time. It’s up to us to not judge ourselves, but to instead be grateful for our layers and learn to explore and manage them effectively. As Mechanical Morty says, “Your feelings are not only forgivable, they are the very meaning of life that only pre-silicon, carbon-based entities can ever grasp.”

Free. Hoo boy. Sublime.

Sadly, the show ends and as the overhead lights turn on, I wander towards the exit, my body buzzing with fatigue, excitement, and something else I can’t quite put my finger on. People are everywhere, chatting and laughing with one another. They’re holding hands and kissing and finishing drinks out of plastic cups. They’re laughing and singing lyrics to songs they’ve just heard and when I make it back outside to the fresh air, I realize how badly my face aches from smiling for so long. Everyone is smiling…everyone…big, toothy smiles; and we’re all smiling at each other. A tall man with an impressive beard gives me a high five for no reason. A woman with a long, purple skirt and braided pigtails tells me she loves my boots. We’re this migrating flock of dazed yet connected people wandering in all directions, drunk off our asses from the consumption of Old Crow’s heavily intoxicating energy. It’s glorious.

I want to stick around to see if somehow, someway, I can meet the band so I can tell them just how much they mean to me (because they really, really do) and also by this point in the night, I’m craving human connection. For a few minutes I linger, but in the nearly midnight air, the hours of my travel and sleeplessness begins to descend heavily upon me. Also, I’ll have to walk to the nearest hotel alone and while there’s still a crowd, I figure I ought to be on my way. Just before I wander off for rest, one of the band members, (who’s a hell of a whistler, come to find out) Mr. Cory Younts, appears from between some buses and I want to thank him for handing me a guitar pick which I’m rotating between my fingers in my pocket to ensure I don’t lose it. As I stumble to find some coherent words to say (of which I don’t really find any), he agrees to take a picture with me. I wish I could thank him again for that.

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In my hotel room, I lay and stare at the ceiling still rotating the pick around and around between my fingers. It’s one of those ceilings that looks like an aerial view of intricate mountain ranges. At some point, I drift to sleep because I dream of being at the show, only this time I had a faceless dancing partner, but then suddenly, I’m wide awake and it’s only 2:00AM.

After another hour of trying to fall asleep without success, I decide to just leave and head home. I’d be able to take my time this way. I could stop in Mobile or maybe even New Orleans since I’ve never been.

So I do. By 4:00AM, I’m driving southwest through Georgia towards Alabama. The roads are empty on this early, Sunday morning but for the occasional driver. We turn off our brights and turn them back on as we pass. A silent wave. Polite by nature. I love it.
As the sun rises in my rearview window, I’m back to wondering why I decided to make this trip. The handful of people I met before and during the show who learned that I’d driven all the way out here alone from Texas were surprised that I’d do such a thing. I guess I’m a little surprised, too, but I like the idea of putting on a brave face and doing something a little crazy. I like the idea of being brave (and I sure as hell like the idea of seeing Old Crow).

On stage last night, Mr. Ketch Secor asked the crowd to turn to the people around them and tell them “you matter.” I did. And I was told, too. In addition to just loving the living daylights out of their music, I love this about Old Crow: their humanism. The lyrics of their songs touch the rawest parts of us: our vulnerabilities, our weaknesses, our excitements, our ability to connect but to also let go. I love life in Old Crow songs.

Indeed, no one should feel a world away, even when you’re quite literally, 850 some odd miles away from anything familiar. I didn’t, despite my solitude departure. I didn’t because in Old Crow world, there is no stranger. There is no worry. There is freedom to live and to love and just be without anxieties and judgements. They create this space just by being them. In Old Crow’s world without any kind of goggles, there’s just humanity: beautiful, complex, deep, cosmic, and smiling oneness. There’s a place for us all here.

I realize now as I head home that I needed that place. It’s been a heckuva summer with lot of challenges, changes, and uncertainties about what the future holds and I think I’ve allowed myself to get swept up and a little lost in it all. But last night, free as a mocking bird and alone but not lonely, I realized that whatever is on yonder past that curious and uncertain horizon is just that: yonder. I’ll get there.

The rest of the drive home is mostly uneventful. I do stop and see a few things but by the time the afternoon rolls around, I start itching to get back to check on my sweet donkeys. Upon arriving home, dazed and light-headed, a chorus of brays erupts from the pasture. Before even going inside my house, I leave my duffle bag on the hood of my tired car and head straight for the barn where a few sets of long ears are waiting for me. They nip my arms and swish their tails and I’m quite positive that if I had a tail, I’d be wagging it, too without one little worry in the whole, wide world.

“There’s a place for us all here and ain’t it enough?” – From OCMS Song ‘Ain’t It Enough?’

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