It’s a typical late-Texas summer on an early, weekday afternoon where leaves hang completely still from the treetops. The chickens have dug small holes outside of their coop in which to rest (the dirt beneath the surface being much cooler than anywhere else they may find) while the ducks drift gently in their pond with their heads tucked into their feathers. Little naps. Flapping bugs hop through the grass—pops of glittery movement in an otherwise motionless yard. I’ve been sitting on the floor for some time gazing aimlessly out the window with gratitude for a working a/c in my house. I keep wondering if the ducks will wake or if the chickens will grab a skipping bug as it passes. I wonder if the donkeys will emerge from the barn but even they’ve foregone grazing under this afternoon sun and opted, instead, for the shade and coolness of their stalls. I suppose even I’ve been frozen for a while—perhaps time on this afternoon has simply paused.
I take a long, slow breath and as I exhale, I lay back and place my hands over my heart. I stare at the ceiling fan above and try to focus on one blade and follow it around and around, but I keep losing track. I can feel the beat of my heart in my hands. It’s wonky. It’s always wonky in heat like this. So I breathe deeper and more slowly, hoping that will calm her down. Ba dum, ba dum, baaaa dum dum. Ba dum, ba dum, baaa dum di dum dum.
I‘ve learned to take advantage of quiet, still moments like these in an effort to find the same kind of calmness within my brain and being by trying to visualize various things depending on what I need or what’s going on. I’ve described some of these images before—things like purposefully pushing boulders down mountains in an effort to establish new grooves in the thought process. Streams of light that swirl into my body as I inhale and carry out the dark as I exhale. Muscles relaxing and releasing over the bones that support them, even the tiny ones around my eyes and ears. Lately I’ve been walking down a long hallway, slamming doors of busy thoughts as I pass while focusing on the dark end which I can’t quite make out yet.
But anxiety is several doors pouring open at once, their insides tumbling and scattering all over the floor. Before you can even think about receiving the satisfaction of slamming the door shut, you must shuffle all the pieces back into their places, careful that you’re picking up the right stuff and not accidentally mixing up this door’s thoughts with the contents from the door across the hall that just spilled open, too. And when you’ve finally, meticulously stacked all the screaming thoughts back into their boxes and arranged them just so, two more doors with even louder and more fragile thoughts burst open.
It’s then that I lay down in the growing pile of crashing thoughts and chatter and close my eyes into an even smaller, darker hallway with smaller, more finicky doors—a sort of inception of my own coping mechanisms.
Over and over I do this until the darkness swallows me.
Dizzy, I open my eyes quickly. The room is bright with afternoon sun. The ceiling fan spins around and around and again, I try and find one blade, but can’t. I take in a deep breath and stand as I exhale. The ducks are splashing in the pond. The chickens are pecking through the grass. The donkeys are out in the pasture, heads down and tails flicking.
As I wander back to my office, I wonder how many versions of me might still be laying in piles of thoughts with their eyes closed? I wonder if there even exists a hallway that can be silenced? Or maybe that’s not the point?
Thoughts for the next pause, I suppose. For now, the afternoon is alive once more and so too is my need to return to it, spilled contents and all.
I’m sitting in my spot—the one in the far, left nook of the couch by the window that looks out towards the donkey’s barn and pasture—as my coffee cools and the night is swelling into its final, heavy moments before the prick of dawn. I spent the fifteen or so minutes before this trying to meditate without much success. Meditation for me looks more like a whack-a-mole game of trying to silence my internal dialogue. Relax your face, I tell myself. Soften your shoulders. I don’t know how I’m going to respond to that angry email I’ve let sit in my inbox for a day. I guess it was my mistake that got me there, but it was a mistake nonetheless. And I owned it. But the world seems so unforgiving these days.
Relax your throat. Deep belly breath. Notice the crickets outside. Mistakes are supposed to help us grow. We are supposed to embrace mistakes as learning opportunities so that every day, we can do just that much better. But that email. The failure. The broken glass on the floor with me standing over it. In many ways, I’ve always been clumsy.
Soften your eyebrows. Unclench your jaw. Imagine your breath is a jellyfish gently propelling itself through darkness. I’m sorry, I’ll say, I misunderstood. Because I truly did. I thumbed through my notes which I remember jotting down with what I later learned was incorrect information. My cheeks get hot and red when I realize I’m wrong and a giant hole opens up around my heart which swallows it into a pit of shame.
Whack-a-mole. Whack, whack whack. So I abandoned my not-so-quiet spot on the floor, made myself some coffee, and settled into my couch nook.
I take a sip of my coffee which is mostly cool now. My brother makes fun of me for preferring room-temperature coffee. I don’t like hot coffee and I don’t much like cold coffee either. Hit me with that middle ground. This makes me smile because my brother never pokes fun with harshness, only silliness. He’s appalled at my coffee preferences and habits (because I also do this thing where I’ll make a whole pot of coffee, only drink one, cool cup form it, and spend the next three days pouring my morning coffee from the same full pot I brewed days ago instead of making fresh coffee). But he never makes me feel bad for it. He just laughs about it which in turn, makes me laugh. Actually, his recognition of my (albeit strange) brewing practices makes me feel seen.
Dawn will break any moment. To me, the anticipation is exciting every single morning. Sip. Breathe.
I recently finished watching the Amazon Prime series, “Good Omens,” which is based off the novel written by Terry Pratchett and Neil Gaiman. It’s a fantastic read (and wonderful listen if you’re an Audible subscriber) and I’m happy to have found that the television series is just as remarkable as the book. They did a phenomenal job adapting the story for the screen. I highly recommend.
I bring this up because there’s a moment in the television series where the angel, Aziraphale, sighs and says, “I’m soft.”
Since finishing the series, I think about this moment often.
I’m soft, he said. I’m soft.
My chest still feels hollow and empty as my shame is berating my heart somewhere else that I can’t see, but boy can I feel. I absolutely loathe making mistakes. I hate letting others down, of course, but I also know that a misstep means the beast of self-consciousness is fed. I close my eyes. Stupid, stupid, stupid.
“I’m soft,” he said. And he said it with a sigh. With a release. With a surrender.
Softness, I think, is porous. My big donkey, Bunny, keeps relapsing with what’s called “white line disease” because her hooves are soft and porous. It’s been raining nearly non-stop for months which hasn’t allowed her desert-evolved-hooves to dry out and bacteria thrives there. Only in dry, open, and clean air can white line disease start to heal. The hooves need to harden and in hardness is protection.
Maybe I’m soft. Maybe that’s why the monsters of doubt, anxiety, and depression thrive in my being like bacteria. My face feels so hot. I hate screwing up. How could I be so careless?
I take another sip of my cool coffee. The blackness outside has shifted into navy blue. Ron Swanson, my rooster, perches on the fence and crows—a deafening break of silence.
I’m soft, I realize. I’m soft.
I picture Aziraphale’s face and try, too, to surrender to the idea. I let go of the tension in my face, my shoulders, even in the muscles between my ribs. I let out an audible sigh. Ron Swanson crows again.
But softness is what allowed Aziraphale to become sympathetic to the human race and even, I think, fall in love with them. Softness is how Aziraphale was able to connect with and find a partner in the demon Crowley, ultimately saving the world through their camaraderie. Softness allowed them to see one another.
Softness is why my brother making fun of my coffee habits doesn’t hurt my feelings. He sees me as a person with unique traits and I receive the comments as being seen as an individual. Softness is our ability to see one another as humans with strengths and weaknesses. With talents and flaws. With complex histories and room for growth. Softness connects us, it doesn’t block us out. Heck, softness is why I got into donkey rescue in the first place—because those long ears and thoughtful eyes passed through the netted walls of my soft heart and found a home in there and I never, ever, wanted to see another donkey suffer.
To be soft is to be vulnerable and to be vulnerable, in my opinion, is to be brave. Knocking down the calloused walls knowing that the rawness behind it might be seen or judged by others takes strength. To recognize, admit, and own missteps with the intention of improving moving forward is something that as imperfect beings, we should all be trying to do. No one is perfect, so bust down that wall that you’ve built around the insecurity of not being perfect all the time—it’s not doing you any good.
I learned quickly as a novice gardener that the soil must be tilled, soft, and porous in order for plants to find strong rooting, ultimately allowing them to grow larger and hopefully, bear more fruit. So maybe if we till ourselves, allowing the surface to soften from time to time, we’ll experience growth in ways we hadn’t previously imagined. We’ll see each other as individuals with complex pasts and beautiful minds—that in our collective imperfection is infinite possibility for growth and connection.
I’m soft and for the first time all morning, I don’t have to remind myself to relax. Let flow, the feelings that rise. There is so much to learn and so much room to grow.
It’s morning rush hour as I inch along in my gray car on a 10-lane, gray highway beneath a swollen, gray sky. The whole world is a heavy gray and the weight of it all seems to rest right in the center of my gut which turns with a groaning sound. Start, stop, start, stop. Inch, break, inch, break. Sweat beads on my brow which sucks because today is a day that I have actually and carefully applied makeup. I dab at my forehead with a crumpled napkin from the center console. On the passenger seat next to me is my travelling-reading bag which I’ve toted around to several schools who have invited me out to read my book, “Tink the Bravest Donkey,” and talk donkey rescue with their students. Within the bag are several signed copies of my book, the actual blue boot that Tink the real donkey used to wear, my laptop, a Tink story board, and little bracelets to give away. I’m on my way to an elementary school to read for several different groups and for reasons which I’m unsure, I’ve spiralled into a full on panic attack. This isn’t the first time this has happened, not by a long shot. As a person living with anxiety, it’s not uncommon for my mind to spin out without warning at the most inopportune times. I used to think there was something wrong with me—like physically wrong—when this would happen. I’d be fine, going about some mundane task, when all of the sudden, I’d start having trouble breathing in. Was something wrong with my circulation? Was I having a heart attack? Stroke? Only in the past couple of years have I understood that these symptoms were not physical sickness, but unrest from deep within my mind.
Google maps (my forever driving companion) tells me my exit is in half a mile, but still, it takes me nearly 15 minutes to get there because of the heavy traffic. Inch, break, inch, break. I’m so worried that the giant, shiny pickup truck that’s been riding my tail with what must be only centimeters between us is going to bump into me. Why won’t they back off? Why do people do that? I feel nauseous and the idea of being sick to my stomach only deepens the worry that I’ll have to take a vomit break while trying to read my story to eager students. You have to breathe, I tell myself over and over, but it’s about as useful as telling my dog to stop barking when the squirrels chirp at her from high up in the branches. Try as I might to pull my breath down to the bottom of my lungs, over and over it breaks at the base of my throat. Finally, I exit and pull off to a gas station on the corner of a busy intersection and park in front of the Stop-n-Shop which advertises Monster Energy drinks, buy one get one free. I imagine two of those would make your heart explode. Mine feels like it might right now. I’d planned my commute to get to the school about 20 minutes early, so I have a few minutes to spare. I unbuckle my seatbelt, lean back in my chair, turn up my music, and close my eyes. I’ve learned over time that panic attacks are not situations from which you can just “calm down” because they’re not a mood and at least in my experience, they’re not even circumstantial—at least not consistently. They’re sporadic, sudden, and often inexplicable. In the case of this morning, am I nervous about doing several presentations at this school? Sure, a little. Who isn’t nervous to perform no matter how well they know their subject? Also, this is my first children’s book: it’s a really big deal to me. But I’m not afraid. I’m not panicked about it. This attack is coming from somewhere else—somewhere deeper and over high heat. It’s water bubbling up and beginning to boil because the fire’s hot under that pot. After several minutes of trying to picture jellyfish-like movement of my breath, I open one eye to look at the clock and realize that I need to be on my way. I don’t have time to sit here and wait for the panic to pass, so I sit up, pop myself on the cheeks a few times, and back out of my parking space. In my mind as I near my destination, I start reciting lines from my book. “Cock-a-doodle-doo, what’s with the shoe?” The kids love this part because I ask them to make rooster sounds with me (and as loudly as they can). I also recall a comment on one of my Instagram posts a while back where someone told me that the rooster is their child’s favorite character. “‘Cock-a-doodle-cool!’ The rooster said.” I pull into the school’s parking lot and grip my steering wheel tight. You’re going to be fine, I tell myself again and again, even if I can’t quite believe it. I check to make sure I haven’t smudged my makeup, grab my travel bag, and head towards the school’s front door. — I’m happy to report that the presentations I gave all went wonderfully. It seems that as soon as I got busy with the task at hand, there was no more oxygen left for panic to consume. The children were amazing, the staff was amazing, and I suspect that donkeys gained some new, little advocates. I write about this because there are many of us out there—many of us with anxiety, panic, and depression in our brains and I for one have spent a lot of time scared and ashamed to admit it. I’ve feared judgement, distrust, and condescension because to much of our society, mental health is still wildly misunderstood and often pushed aside or swept under the rug. The more we avoid talking about it, the more stigmatized it becomes and the more myths about it perpetuate. Studies show there are 40 million people in the US who have anxiety disorders. That’s no small thing. And it also means you’re not alone. So my victory I share with you in case you might need it as a tool in your toolbox: apparently the remedy to my sudden and inexplicable panic was busyness with something that I couldn’t (and certainly didn’t want) to wiggle my way out of. I put one foot in front of the other until without me realizing the shift, I was breathing normally again. The distraction must’ve snuffed out the panic attack. I suppose it’s along the lines of what we give oxygen to is what will live and breathe—although I recognize that it’s not always that simple. An anxious mind rarely has the ability to compartmentalize, so it’s not always easy to pick and choose what you allow to breathe. But who knows, maybe in some instances, it’s exactly what’s needed. The bottom line is this: your mind is a beautiful thing—lined with panic or not. It’s powerful and complex and nothing to be ashamed of. Love and care for it deeply and always because it’s you, baby. It is your most powerful tool, your most valuable asset, and it’s you. You are worth nurturing. You are worth taking the time to understand. You are worthy of love. You as you as YOU.
It’s a chilly afternoon and I’ve finally decided to clear the weeds and old roots from the garden in order to prepare for a new, spring crop. My fall garden was a bust: I didn’t do enough research on planting in sticky, gumbo soil and we had a bizarre, hard freeze in mid-November which killed off everything weeks before I was planning to harvest. My fall garden yielded three green beans. Three. I suppose it’s fine—I was travelling a lot last fall, so my chances of upkeeping a garden with the love and respect it deserved and needed were probably low. Plus, I haven’t built up a proper compost heap this time around. The odds have been against it and for more than two months now, I’ve let weeds and grass overtake my sad, little garden. I pick a corner and kneel down to begin pulling up weeds. Dampness from the soil soaks into the knees of my jeans, but I don’t mind. I start by raking the stringier weeds with my fingers which are tangled loosely across the top of the bushier and more deeply-rooted growth below. Rake, rake rake. Dirt gathers beneath my fingernails and what was a chilly afternoon has become quite warm with my repetitive movements.
The repetitious motions of backyard gardening is therapeutic. Row by row, whether planting or clearing, there’s a natural rhythm that guides the process regardless of your being a seasoned gardener or not. Rake the loose weeds. Dig around the stubborn ones. Pull the deep roots. Brush away the leftover. Rake rake, dig dig, pull pull, brush, brush. Rake rake, dig, dig, pull, pull, brush, brush. One, two, three, four. One, two, three, four.
Bit by bit and breath by breath, I travel through my garden removing that which is alive with rapidly reproducing weeds and dead from poor management and unfortunate circumstance. It’s a bit grim: the idea that death must occur and be grieved in order to make way for new life. I’ve been thinking a lot lately about what it means to move on from things of the past and how to start the healing (replanting) process. Like all people, I’ve had my share of heartache, hurt, missteps, and much like my garden, have fallen victim to poor management and unfortunate circumstance. Neglect. Distraction. Habitually pushing care to the back-burner. All that.
So here, squatting down in the mud and the weeds that are here because of my neglect, I imagine that the soil is life-giving light and the weeds are darkness, swiftly crawling across and covering the richness and space from which life, love, and nourishment sprouts. Rake, rake, dig, dig, pull, pull, brush, brush. Gosh, there are weeds everywhere. It’d be easier to just let the whole thing go, I doubt I’ll have time for a garden this spring, anyway. My hands are beginning to hurt and the dampness from the ground has spread past my knees and down my shins. For the first time, I notice my fingertips covered in tiny, red cuts from small spikes in the seemingly infinite growth and holy moly they sting. Why didn’t I wear gloves? It’s so hot out here. My heart rate has risen significantly and I can no longer find my breath. I try counting, but can’t hold my attention span to the count of four anymore. I pull my phone out of my back pocket and find the app which is connected to the USB-sized monitor implanted in my chest, right above my heart. It’s recording all the time, but I’m supposed to report when I can feel abnormal things occuring, which is often and especially when I do things like squat down for too long. I sit back, butt in the mud, and lean against the small, picket fence as the app begins to record my heart’s rhythm which is heavy and fluttering. The space around me vignettes itself and my fingers and toes begin to go numb. I close my eyes feeling the wet ground absorb into my jeans and try again to find my breath. Rake, rake, dig, dig, pull, pull, brush, brush. One, two, three…One, two…One, two, three. It’s like I can’t get the breath all the way to the bottom of my lungs: it stops halfway. I make a concerted effort to relax my gut, pelvis, chest, and eyes, and try to imagine sinking a little farther down into the wet ground. Instead of counting, I picture a jellyfish gently and repetitively pulsing through the water. My friend and teacher, Stacey Ramsower, shared this image with me recently and it’s since resonated quite vividly. I picture my diaphragm and pelvic floor moving in tandem in the same way a jellyfish propels itself through the deep: smoothly, rhythmically, and beautifully. Something about the image seems more accessible than the count right now. Blub, blub, blub she goes…soft, smooth, and infinite.
Blub, blub, blub, through the blue.
Blub, blub, blub, held by water. After a while and once the flapping wings of my butterfly heart calm down, I open my eyes and lean forward, placing my forearms on my knees. My fingers and toes prickle as blood begins to pour back into them and the world around is light once more. I submit the recording to my doctor and slide my phone back in my pocket. I figure I ought to be heading in to get some water and rest, but then something catches my eye. What is that? I scramble to my hands and knees and crawl to a tall, bright green growth reaching from the weeds. I trace my fingers down the delicate stems and carefully pull up. Oh my goodness. I start to laugh. I stand, holding the small carrot ball and look around. This bird’s eye view has allowed me to discover that several other plants have inched above the weeds reaching for sunlight, so one by one, I trace their stems and pull their roots gently from the ground. Brave, little root veggies. My goodness, I had no idea anything could’ve survived multiple hard freezes and certainly not beneath the heavy darkness that’s blanketed their space for so long. They may be small and oddly shaped, but boy they are phenomenal (and cute!) I suppose small specs of light can indeed penetrate darkness. Maybe it just requires a shift in perspective.
— I spent much of the rest of this day reclined on the couch with a big glass of water while imagining whole blooms of jellyfish pulsing together through the deep. How strange it must be to pulse endlessly through the darkness…strange but oddly encouraging. Blub, blub, pulse, pulse, on and on they go. Infinite, rhythmic movement.
I imagined the proverbial weeds that often stretch themselves across me and how somehow, someway, light manages to get through. Sure, sometimes, that light goes undiscovered for a while, but it’s there. It is. And certainly it’s worth the blood, sweat, and pain to pull back the darkness and make way for more light. Just start in a corner and see what happens. Darkness breeds in neglect. I’d say, get in and get your hands dirty.
Even if you don’t find anything the first few times you start raking, digging, pulling, and brushing, the process is still wonderfully meditative—the re-examination of a familiar space that’s gone untouched for a while is so helpful for growth. Afterall, you can’t start a new garden without first tearing up and dealing with the old, deceased one. In that death and chaos lies life waiting to bloom and be discovered.
If you’ve been following my blog or social medias for some time, you may remember that I’m a yoga instructor. It’s been a while since I’ve posted anything regarding my yoga practice or teaching (which I’ll get to in a moment) but to give you a bit of background, I started practicing yoga when I was 16 years old—my mom and I habitually attended a Friday night yoga class at the local YMCA which was taught by a woman who we’d come to refer to as “The Queen.” Long down the road, after I’d graduated college, worked several years in the corporate world, and had a quarter-life crisis that resembled one of those fast-motion videos of a tarantula shedding their skin, I abruptly quit the rat race, went through a program to receive my 200hr yoga teaching certificate, and started leading yoga classes pretty much anywhere that would hire me.
Even when I moved away from my hometown out to Nowhere, Texas where the donkey named Bunny came into my life, I found a place a few towns over where I was able to continue teaching yoga classes. In a lot of ways, I loved and adored it. What I appreciated most about leading a yoga class was feeling responsible for providing a space where people could come as they were. I tried desperately to show love and provide support for those who came through the door no matter what kind of baggage they brought in with them. I also liked making yoga-music playlists—that became an odd therapy for me, especially when my anxiety would begin to spiral in response to some trigger. In these moments, I’d open Spotify and start building playlists, exploring recommended music, and losing myself in the rabbit hole of “we think you might also like this!” Thanks, internet cookies. Fast forward and at the time I moved away from Nowhere, Texas to Sort-Of-On-The-Map, Texas, I thought that finding a new place to teach yoga would be a priority of mine, but to date, it hasn’t. Every time I’ve opened up my computer to search studios and openings, my eyes glaze over, my heart begins to race, and I distract myself with something else. Old students of mine who enjoyed my classes have asked me why I’m not teaching yet and truth be told, I don’t have an answer. I, myself, have been left wondering why?
I’ve looked at simply attending yoga classes—reading about new studios and teachers with the thought that maybe I just need to get in and revisit my own personal practice outside the home without the responsibility to lead (afterall, we should all be perpetual students) but much to my dismay, even browsing yoga sites has become a massive source of anxiety for me. “We’ll help you find a better you!” “$20 off New Year’s Deal! Stick to those resolutions!” Filtered pictures of sweaty, toned bodies with expensive clothes. “Find your Zen!” even though the picture attached is a complex arm balance where you can tell by her abs that the model is straining to hold still.
Let me pause. I don’t mean to speak ill of these places. I am never against people wanting to get healthy and man, if you can go into a hot yoga studio and actually unplug and detox or whatever, then good on ya. No judgement, I promise. Please know, I’m not writing about you or at you; I’m writing about me and the very personal journey I’m on through my anxious self right now and we all have incredibly different stories. I hope you don’t take my opinions which apply to my place right now, personally.
Anyway, why, as a person who left it all to teach yoga full time all those years ago, have I had such a hard time connecting with practice outside of my own bedroom floor? (I do still practice yoga on my own three or four times a week before the sun rises…but my practice is a lot of sitting and listening to the birds wake up, gently stretching small muscles, and staring out the window.)
I ponder this often and deeply. Yoga is a big part of who I am…I mean, it’s one of the only things still in my life from when I was a teenager. At least I thought it was. It’s supposed to be a disconnect from the chaotic and fabricated hubbub of living in the 21st century: a reconnection to our roots and to the Earth so that when we walk around out there, we feel grounded. It’s supposed to help us from getting lost in it all.
But then I wonder, has yoga (and teaching yoga) for me, become a distracting vice, in and of itself? Instead of NOT getting lost in it all, have I lost myself even more? Is that why I cringe when I hear people say “wow, you’re really good at yoga,” because what is “being good at yoga?” Touching your toes? Doing a handstand? Is it why I feel uncomfortable and competitive when I attend yoga classes? I’m an instructor, I should be able to do the difficult poses, right? Otherwise, won’t people question my ability to lead at all?
Here’s an example: I remember years ago when I first started leading yoga classes as a fairly new teacher, I attended a class as a student and the instructor asked me to demonstrate a move where you jump from downward-facing dog into forward fold. This is not something I do at all, let alone, do well. I’ve broken both of my wrists, have short arms, and most importantly, just don’t like it…so I usually just walk up with little steps from down dog into forward fold when making that transition. I told the instructor this (he knew that I was also an instructor) and he responded with, “well, just show the others in the class what not to do.” All eyes were on me and in the moment, what I really wanted to say was, “well, what not to do is do anything you’re uncomfortable with” but instead, my fear of being seen as weak or less than (I was an instructor, too, after all) overtook me and ego made me demonstrate the jump in the best way I could. It was not good and the instructor laughed and said, “okay, now you’ve definitely shown us what not to do.” Everyone else chuckled, too. I spent the rest of class with bright red, burning and embarrassed cheeks and tension in my whole body because I was illustratively, “what not to do.”
Granted, I’m sure this instructor had no malicious intention of putting me on the spot like that and to his credit, I am very good at camouflaging my discomfort in public settings to be perceived as confident and completely okay with being the center of attention (even when I am so, unbearably, not.) But the point is this: yoga is not about forcing yourself into uncomfortable positions or movements, especially because you feel like you have to for others. Yoga, like art, is highly personal and uniquely interpreted and tailored to the yogi’s (artist’s) interpretation. Are pretzel-like inversions your honest expression? Or is it leaning against a wall noticing the way your belly moves around when you breathe for a whole hour? I think both are correct, just depending on what you actuallyneed in that moment of practice.
Which brings me to my original point of this blog: why I haven’t talked about or taught yoga in so long. I believe it’s because that’s just where I am right now. That what I actually need is internal exploration deeper than the movements traditionally offered in yoga classes. Yoga for me right now is learning to connect more deeply with my innards and I can’t seem to honestly do that when someone else is suggesting different moves and breathing patterns. It’s learning from a trusted source how to discover just how much tension I’m holding in my pelvis and what that’s doing to the rest of my body to which it radiates. It’s looking through holes in my heart that are there because I was bullied as a kid and grew up thinking that it was my job to please everyone around me instead of seeking out my own truths. It’s actually rooting with the Earth by feeling the blood pulsing through my veins in the same way water rushes through rivers.
Yoga for me right now is walking around out behind the barn and seeing just how green everything is becoming out there…smelling the rich growth that’s happening right before our eyes and surrendering myself to its majesty. My gosh, nature is glorious therapy. Yoga is going for a walk with my donkeys because they don’t give a flying #!&* about what others in the room may be expecting of them…they exist in every moment and if you let them they’ll pull you right smack-dab into the epicenter of the present with them. And they’ll do it gently. They won’t put you on the spot. They won’t tell you if you’re doing a good job or not. They’ll just be with you.
So for now, teaching yoga is not what I need. Even a few months ago, I don’t think I could have admitted to that or confessed it because I think society teaches us that self-care and boundaries are often selfish. Or that if you’re not going-going-going that you’re not as good as everyone else. Meanwhile, we’re walking around anxious and depressed and spending hours scrolling on social media and binge drinking to distract ourselves from the fact that we are so disconnected from our own truths that we’re scared to even begin looking. I can’t help but think that many of the serious, physical ailments I dealt with over most of the last year had a lot to do with seriously distracting myself from what was really going on inside and just going harder and harder so I didn’t fall behind everyone else. Is it worth our health and longevity? I doubt it. Please note, my journey is unique to me and because I’m overly sensitive and spin into an anxious mess at the thought of ever offending anyone, I want to be very clear that I, in no way, extend judgement to those of you out there practicing yoga or teaching yoga regularly in whatever setting you find fulfilling for yourself. My experience has led me to this place and I write about it 1) because I write shit down to work it out, 2) because it’s been heavy on my mind and heart for some time, and 3) because I’ve been reading words and spending time with people who have helped me realize that it’s okay to follow your own, true path and that you should be respecting your sweet selves, regardless of any preconceived expectations of you.
All this being said, I made the time this past weekend to make a trip to reconnect with one of my all-time favorite yoga instructors down in Houston, Texas, Amanda Field. Her and I go way back and it’s been nearly 6 years since I’ve seen her or attended one of her yoga classes. My blog stats tell me I get a lot of readership from the Houston area, so if you happen to be looking for a place to practice yoga that does not judge you, force you into anything, compete with you, or treat you like nothing more than a profit margin, I recommend connecting with her and attending a class at her brand-new studio which is set to open in just a couple weeks. She is knowledgeable, always learning, candid, welcoming, and specializes in helping tailor movements to most fit her student’s needs (and when she can’t find the move or prop to meet her student’s needs, she just goes on and creates something to assist! Check out her product: The Yoga Triangle). She is the type of instructor I strive to be when I am teaching and even better, she encourages others to practice yoga as self-expression and art. You can find out more about her and what she offers here: https://www.amandafieldyoga.com/
If nothing else, I would suggest trying to make some time to hold a mirror up to your face, so to speak. Make sure you’re taking time to look inward to ask the tough questions, to see the scars, and to make yourself a priority. We have to undo the notion that to self-care is to be selfish. As the saying goes, you can’t serve from an empty cup. Go fill up. NamasBRAY, Jess
It’s the middle of the night. Last time I looked at the digital clock on my nightstand, it said “2:44” and that seems like hours ago. I’m laying on my back with the blanket balled up beneath my chin and my eyes closed, hoping that somehow, someway, sleep will take me. I know in my gut that it won’t, but I try anyway. I do this more often than not—lay awake at night hoping for sleep typically without success. It’s a common thing for us to do, to have our minds flooded with fragments of every small memory, distant worry, running checklist, and distracting thought the second our heads hit the pillow: I know this because I see enough of my friends post memes about busy-minded insomnia to know I’m not alone. But damn, if it isn’t exhausting. I sigh, roll over into a fetal position, and open my eyes to see that it’s 3:30 now. One of my dogs must sense my movement because from across the room, I hear the tinkling of a collar.
At this point, the bed is no longer comfortable and the silence and darkness have become a perfect and chaotic breeding ground for toxic thoughts to pour from the pockets of insecurities that I carry around, so I slide out from under the blankets. It’s cold out here. Draped over the dresser is my flannel shirt which I grab and wrap myself in as I head into the living room. Tucker, the dog with the tinkling collar, follows me. The floor glows blue in stretched out moonlight and is cold under my feet. I sit in my favorite spot on the couch and pull a throw blanket over myself. This side of the couch—my preferred side—is a perfect looking spot next to a window that faces the barn where my three donkeys are snuggled in, hopefully nuzzled together and not busy-minded like me. The thought of their thoughts makes me smile. Last week, my vet came out to perform Bodhi’s castration and as he was waking from his sedative, the vet told me he often wonders if donkeys dream. “They’re so smart, you know,” he told me in his gruff, East-Texas accent, “and I’m just curious what they must dream about. Surely they do.” I adored my vet before this comment but when he said that, my admiration for him leveled up. He gets donkeys. He wonders about their dreams. He, my vet, was there the day Tink died. It was a Saturday afternoon and we had to call him out in an emergency. He was there within 20 minutes of our call and stayed until we said our final goodbye. At the time, I didn’t know him very well, but he hugged me tight when I crumbled and began to weep. I left smudged mascara marks on his brown vest. I think about that often. The barn is blue in the moonlight and above it, a perfectly clear, cold sky twinkles with a few, bright stars. It’s been dropping down to the 20’s at night which for us here in Texas is brutal. The throw blanket tugs and I break my gaze with the barn to see Tucker nosing the blanket. Tucker will be 10 this year and for at least the past 6 years, he finds his way to me every single time I sit in my spot on the couch with a throw blanket and my legs curled up beneath me. I adjust myself and lift the blanket, allowing him to hop up and curl into a perfect dog ball next to my legs. I cover him with the blanket and he sighs. This is our assumed position.
I stroke the shape of Tucker’s back and look back to the barn. Bodhi’s recovering beautifully from his castration. I’ve seen many donkeys castrated and it’s never phased me a bit, but seeing your own baby who you used to bottle feed under the knife like that is a whole other story. He’s a little fighter though, our orphaned donkey who tried to steal the Christmas tree. He’s already back to his same, silly shenanigans.
Somewhere in the distance, I hear a dog bark. Tucker tenses and from under the blanket, the shape of his ears perk. “Shhh,” I say to him, stroking his head, “it’s okay.” He sighs again and relaxes. But is it? Is it okay? Who am I to know? Maybe a dog is barking because someone’s house is getting robbed somewhere. Or maybe someone has abandoned their dog and he or she is terrified and calling out for rescue. Or maybe that dog heard another dog who heard another dog and the bark chain actually started out in Louisiana somewhere because a tree fell down in someone’s backyard. I don’t know. I don’t know if it’s okay. I wonder if my vet was able to get the mascara smudges off of his brown vest? I haven’t been able to work up the nerve to ask him or to offer to buy him a new vest if he wasn’t able to get the stains out. I mean, in my experience, mascara comes out of clothes pretty easily, but what if? How can I know and why am I afraid to ask? And how is it that we can exist on the cellular level and a cosmic level all at the same time? Our cells are constantly regenerating and our imaginations can wander anywhere in the known (or unknown) universe. Isn’t that wild? How infinite we are? And so how, in our vastness, can insecurities about trivial things travel around with us everywhere we go? Why does it matter? Who cares about what other people think and why am I still worrying about a conversation that went badly with an old friend a decade ago? Tucker sighs again and I realize my whole body has become tense. I close my eyes and take in a deep breath all the way to the bottom of my lungs. I hold it there for a few seconds, then sigh it out. I do this again, breathe in all the way, hold it, and let it go. I do this over and over and over until it’s quiet…until my muscles relax over my bones like jelly. Mascara does come out of clothes. I know this. And sometimes, dogs bark for no reason and conversations go badly. It just happens. That’s okay. The clock above the mantle says it’s nearly 4:30am and so I figure I ought to go ahead and get my day started. I pat Tucker on the rump, grab my coat and boots, and head out in the cold morning to feed the donkeys and muck their stalls. The moon is bright behind the trees leaving everything a glowing blue.
I breathe in deep, the air cold in my gut, and sigh it out in a small cloud that floats away towards the few stars competing with the moon’s gaze. Cosmic, indeed.
I’m three hours into a drive out west and it’s hotter’n blue blazes out there. My dash board’s telling me it’s 116 degrees, but even with the a/c working as hard as it can, that temperature feels underestimated. Having lived in Texas my whole life, I’m supposed to be used to this, but hoo boy I tell ya, there’s no getting used to frying eggs in your driveway.
Still, I love this drive. This 6-hour jaunt out west to the land of 1,000 donkeys that I find excuses to make where I end up on two-lane highways surrounded by prickly pears and yucca plants is therapy. I have no cell service on much of this route and either spend it listening to a pre-downloaded audio book or all of my Old Crow Medicine Show albums. I am as good’a singer as Ketch Secor on these drives; it’s a shame no one else ever gets to witness it—seems to only happen when I’m alone. 😉
Speaking of Ketch Secor, the novel I’m coincidentally listening to on this trip is ‘The Midnight Cool’ written by his wife (at least that’s what the interwebs tells me; I habitually read about authors I enjoy) and amazing writer, Lydia Peelle. You’ll never guess it, but this book is chalk full of mules….and not just mules as outlying, empty creatures that serve as backdrop ornaments to set tone or mood, but as detailed, respected, and complex and I gotta tell you, it’s the first novel I’ve read (well, listened to) that does this. She talks about how the “…humble long ear has been the victim of much mudslinging” which, whether you’re talking about a mule or their father, the donkey, it’s true. I’m hanging on every word she’s written (and is being read to me wonderfully by Don Hagen) and it just gets me that much more giddy about arriving at my destination.
Y’all know by now that I work with the Peaceful Valley Donkey Rescue (it’s where I’m headed on this mirage-inducing drive) and as such, it’s become a red-hot goal of mine (and frankly, my highest honor) to spread the word about donkey welfare. They are victims of mudslinging like Ms. Peelle describes…they’re the butts of jokes, the forgotten warriors, the misunderstood creatures. But it’s true that anyone who takes the time to get to know them realizes that there are worlds within a donkey’s eyes. There is tenderness in their hearts. There is a gravity about them: an inescapable yet peaceful gravity.
My donkeys are what keep me grounded. No matter the day or time, if I need someone to lean on, they’re there. If I need someone to sit with for a while, they’re there. I never ask them to do this, they just do.
How much are we misunderstanding simply because we’re not taking the time? Not just donkeys or mules, but everyone? Over the years, I’ve learned from many people the assumptions they’ve made about me which have often been based on my behaviors as a person riddled with deeply-seeded anxiety (which I suppose is understandable, I can be difficult to be around sometimes…an ungentiled and untrusting donkey.) But at the core of myself, (like a donkey) I’m loyal too. I’ll sit with damn near anyone who just needs a shoulder for a while. I’m overly cautious (which is often seen as stubborn).
I don’t mean to sound egotistical, but I’m comfortable enough with myself to love my own isms, especially the more I choose to learn about them and the more I’m starting to realize that if reincarnation is indeed a thing, I might’ve been a donkey in my past life. Same goes for donkeys—how many people jump to the conclusion that they’ve got pea-sized brains because some movie made an ass joke about them while trotting a big, statuesque and shiny hero-horse by?
It’s been a while since I’ve passed another vehicle and I start to wonder if my car broke down in the heat of this sun, what would I do? No cell service, no folks passing by, no donkeys to lean on. I suppose I’d find some shade and listen to this book some more until someone came along.
On I drive, my heart happier and happier that I found this novel by chance. I’ve decided that if somehow, someway I ever get the chance to meet Lydia Peelle, I’d like to hug her neck and thank her for what she has to say about long-ears. She’s fighting the fight I’ve only barely begun: the uphill battle in convincing the world that donkeys (and their kin) are the best. Donkeys are what we should all be striving to be: kind, cautious, loyal, inquisitive, and strong even when it’s so hard sometimes.
To my left, two dust devils dance around one another in a vast acreage of red dirt and brush, their bases hopping around like they too feel the heat on the ground. It’s quite lovely what nature does when she thinks she’s not being watched. Deer delicately pick the flowers out of the prickly pears. Cows lay peacefully in the shade of any tree they can find, their sides and rumps touching I imagine, because they just want to be sure of each other. Vultures float in tornadoes around something dying or decaying, their bellies anxious for a meal.
Makes me wonder what we do most when we think we’re not being watched. In a lot of cases, I don’t think we’re much different from the dust devils, the deer, the cows, or the vultures. We’re all part of this bizarre life quilt sewn together by all of our strange and often misunderstood isms. It’s quite lovely.
‘The Midnight Cool’ reaches the end of a chapter and so I switch my speakers over to Old Crow’s version of Bob Dylan’s “Visions of Johanna.” I turn it up as loud as my speakers will go singing along with every complex lyric, giddy and thrilled that in a few short hours, I’ll be at my home away from home—the land of 1,000 donkeys—the place where my fire for change is stoked like no other.
Here’s to donkeys. Here’s to those who fight for them. Here’s to those who hopefully come to know them. And here’s to each other:
“…Voices echo this is what salvation must be like after a while…”