The Ghosts of Summer: Part Two

Before reading below, make sure you’ve read Part One! Link here: The Ghosts of Summer: Part One

 

The black widow’s eight legs are sharp and shiny like daggers. Clearly, she’s sharpened them. In my left hand is the hose, still running—the water splashing heavily in the mud around my feet. Like yesterday, I look around for a stick or something similar, but as I shift my eyes, in my peripheral, I see the widow move a few steps in my direction.

I fix my gaze back on the widow who freezes: her legs stopped mid step. The sun beats angrily down on us—our shadows small underneath the high noon sun. Nearby, Bunny and Tee have lifted their heads from grazing in curiosity.

I think that surely, this is a different spider because King Ranch most certainly killed and dismembered yesterday’s identical black widow. I don’t know enough about the spiders to know if they travel in packs. If by some strange, cosmic force, this was the same spider, I’m sure she’s furious and ready for revenge. If this is a different one, perhaps a sister or a parent, then vengeance is in order. Whoever she is, she’s angry.

What I do know is that in this moment, I can’t blink. She would surely strike if given the split second.

I remember then that I already have a weapon: the running hose. I press my thumb over the opening, creating a pressured spray. The widow is watching this and I could swear that she, too, is looking around to plot her next move. Two of her legs curl in close to her and as quickly as I can, I turn the hose and spray her with everything I’ve got.

She clings to her web, all of her legs curling in tight. Her web is strong, unbroken by the pressure of the hose. I step closer and spray harder.

She retreats—scattering up the web and behind the circular handle where she’s blocked from the water. I spray still and step closer. To my right, from the corner of my eye, I see the same stick that King Ranch used yesterday and with full hose pressure going and my eyes fixated on the round handle behind which she is hiding, I fumble to reach the stick with my right hand. Finally reaching it, gripping it tightly, I release my thumb from the end of the hose—the water once more plopping into the mud below. Beads of water shimmer along the chaotic pattern of her web like twinkling stars.

She remains behind the handle. I can’t see her, but I know she’s there. My heart thuds in my chest as my eyes begin to dry out from having not blinked. Still, I hold my gaze trying desperately to see any movement in the shadows.

My eyes are watering now and the flickering drops on her web are too bright to handle any longer. As quickly as I can, I blink.

As the light enters my reopening eyes, a blurry shadow is scattering with furious speed down a dripping web and into the mud. I stumble back, the stick unstable in my sweating hand. She’s at a full sprint towards me—her eight, dagger legs reaching high and leaving small prints in the mud. As fast as I can, I pick up my boot, wait until she’s nearly reached me and stomp.

Mud splatters everywhere.

I twist my boot back and forth, pressing down as hard as I can—it sinking at least an inch down into the ground.

After a moment and another twist each direction, I slowly lift my boot. She’s flattened: her yellow insides mixing with the brown mud. To make sure, I take a step back and run the hose over her. The yellow and brown swirl together and slowly, her corpse begins to run lifelessly along a small river that’s formed—her legs curled tightly into her broken belly.

Closely examining the faucet and seeing no other spiders, I turn the running water off and carefully wrap the hose around the spigot. Using the edge of my boot, I push mud over the widow’s wet corpse.

Now, she’s dead.

It’s the following day and King Ranch, Little Foot and I have just landed from a three hour flight to Michigan to spend the weekend with King Ranch’s family. We’re thrilled to have a break from the heat, if only for a few days. By the time we make it to my in-law’s house, it’s nearly 11:00 PM, so with Little Foot tucked tightly into my arms, we settle in for bed in the room that used to belong to King Ranch’s sister.

Around the walls is hand-painted, forest green ivy sprawling in every direction. There are two framed paintings of fairies wearing water-colored dresses with dainty, reaching hands. The paintings seem old—their colors no longer vibrant but instead, dusted. Little Foot’s body relaxes into sleep and I, too, close my eyes: the last thing I see being one of the fairies staring hopefully up to the sky.

Although we’re inside, it’s quite foggy. A gray mist hovers over the brown carpet while the fairies on the wall twirl inside of their frames. This is the first time I’ve seen sad twirling—they are looking up to the sky with tears streaming down their pale, small faces. They spin slowly and clumsily.

My feet feel heavy, suddenly, and my body feels like it’s growing tall. I look down as the ground is inching farther and farther away from me. The fog clears and bright yellow goo begins to seep up from the brown carpet. I grow taller and taller, yet somehow, feel smaller and smaller when the brown and yellow ground beneath me disappears. I begin falling and falling fast. I reach for anything—the fairies still twirling slowly in their frames that are now seeming to follow me as I fall.

I look up and from the darkness, a red glow appears. It’s faint at first, but then brightens into a beaming red hourglass. Black lines drip and ooze like oil over the fairies twirling in their frames when I see that their heads have turned into small, pointed skulls—their dresses dangling off of skeletal bodies. They wail hysterically when I land in a net.

I try lifting my arms, but they’re stuck to the webbing beneath me. The red hour glass is too bright to look straight into and is growing. I look left and right but soon, even my head is stuck. The redness is so bright.

With a huge exhale, I sit up abruptly in bed, which causes King Ranch to startle awake next to me.

I gasp, “Where’s Little Foot?”

“He’s in the crib,” King ranch whispers, pointing at the wooden crib that my mother in law had set up. Little Foot was rolling over, I imagine, because of the noise. King Ranch says, “I moved him there like an hour ago. What’s going on?”

I’m panting. “I…” I start, but then the tears come.

King Ranch says, “Honey, what is going on?”

“Nothing,” I say, wiping my face. “Just a bad dream, I think.” My heart is thudding and my spine is sweaty.

“Come here,” he says, pulling me into a little spoon. He wraps his arms tightly around me.

I watch the fairies in the frames who are still and dusty once again. They look longingly to the sky.

We’re 1500 miles and several days away from being home at the ranch. The widow will have plenty of uninterrupted time. I shudder and watch the fairies until dawn.

 

Little Foot’s Little Books

We are nearing the end of the usual soaked, Texas spring. Soon, the clay will crackle in devastating dehydration and the treetops and rosebushes will be broiled. I give it another month until we’re begging for relief from the heat.

I sat on the floor in the living room sipping my coffee, watching Little Foot flip through his ‘Peppa Pig’ book while it poured in sheets of rain outside. From his point of view, the pages were actually upside down, but still, he flipped through each cardboard page, one-by-one, and studied the pictures. He flips the pages with his left hand and holds his right hand out for balance, even though he sat steadily on the floor.

I’m so grateful that he loves books. All day, when we’re inside, he brings book after book from the bookshelf in his room to me so I’ll read it to him. We read them 3, 4, sometimes 5 times in a row before he retreats to grab another.

I’ll use funny voices if there are characters, some of which make him laugh and some of which make him turn the page faster. I’m not particularly good at voices.

I’ve heard so often that “I don’t have time to read” or “what’s the point of reading fiction?”

The point is simple: you learn things. You learn about worlds that often, you cannot visit. You learn that there are other “me”s out there. That everyone is a “me.” Neil Gaiman talks about this in his most recent book (which I am obsessing over slightly) called ‘A View From the Cheap Seats.’ He talks long and emotionally about how reading fiction helps readers become empathetic. It teaches you how to see the world — real or otherwise — from someone else’s point of view. Young children learn very early on that they’re not the only “me” out there. We are all “me”s.

Little Foot stood up from his book, ran as quickly as he could back into his room, and came back out carrying my copy of Don Quixote. This made me laugh and I told him that I think this might be a tough read right now. He is, after all, only 17 months old. Come to think of it, I wonder from where he grabbed my copy of Don Quixote in the first place.

I thumbed through the thick paperback as Little Foot backed himself up into my lap, through the hundreds of pages with the tiniest, single-spaced print, and picked out a few lines to read aloud for him.

In my best, silly Spanish voice I read:

“Did I not tell you so?” said Don Quixote. “Wait but a moment, Sancho; I will do it as quickly as you can say the credo.” Then, stripping off hastily his breeches, he remained in nothing but skin and shirt. Then, without more ado he cut a couple of capers and did two somersaults with his head down and his legs in the air…

…at this point, I was laughing which made Little Foot grin and scrunch up his nose…

…displaying such arts of his anatomy as drove Sancho to turn Rozinante’s bridle to avoid seeing such a display. So, he rode away fully satisfied to swear that his master was mad…”

I couldn’t read anymore because Little Foot had started laughing hysterically, I think, because I had giggled so much. I’d also gotten louder, my Spanish accent more ridiculous. So I tickled Little Foot who squirmed onto the ground, gasping for air between belly baby laughs.

I gave him a break and stopped tickling so that I could finish my coffee before it got cold. Little Foot scampered into his room and returned, this time carrying his ‘Big Book of Animals’. The book, almost as big as him, is colorful page after page of zoo animals, farm animals, birds, house pets, and a few more categories. We go through this book, Little Foot flipping the pages while his blue eyes jump from shape to shape and me listing off the animals and making their sounds (side note: what does an Egret sound like? Besides the picture, I don’t know if I really know what an Egret is.) I skipped Egret.

This went on for sometime — I drank coffee and tried to get things done around the house and Little Foot chased me with various books, sometimes bashing me in the legs with them, sometimes plopping himself on the floor and flipping through them on his own.

I’d been thinking about books a lot lately, partially because I’m working on one of my own and partially because of the aforementioned Neil Gaiman book I’ve been working my way through. I’d been thinking that books were very important to me growing up and I was very encouraged to read as much as I could.

Where I get sad and a bit regretful is how, as a kid, I was so shy and so insecure that when I did have a book out at school or otherwise and was made fun of (because kids do this – they make fun of other kids for the silliest things) I would, instead of find a safe place to read or tell the bullies to buzz off, I just stopped reading entirely. For years, I didn’t read, even if I wanted to. I just stopped.

I watched Little Foot on the floor now flipping through a lovely kid’s book called ‘The Pout Pout Fish’ by Deborah Diesen and I want, so badly, for him to always love to read. I want him to go absolutely everywhere, reality wise and fictionally speaking. And I don’t want him to worry at all what other people say or do.

I want for him to do what he’s meant to do. Whether that’s read or build things or fly planes or drop different chemicals into test tubes to try and solve critical problems. Or if he wants to splash odd colored paints onto canvases to convey his feelings or if he wants to dive deep into the ocean to learn just a bit more about life down there — I don’t want for him to feel like he has to make those choices based on someone else’s permission or approval.

How, as a mom, do you instill confidence in your child when you, yourself, struggle so much?

I don’t have the answer to this. I don’t have a lesson that I’ve learned on my ranch yet to answer this question either. I’m hoping that I figure it out. I suspect I don’t have that much time to do so.

What I do know is that right now, more than his stuffed animals, his blocks, his trucks, and his dinosaurs, Little Foot is enamored with books. He can’t get enough of them.

And I can’t get enough of that.

Outside, the rain subsided. I thought about going outside but by the time I pulled on some pants, the Texas heat was pulling the rainwater off the ground outside in blurry waves. I would need to wait until the ground was fully cooked outside because it’d be impossible to breathe that steaming air right now.

Instead, I pulled Little Foot into my lap with our copy of ‘Love You Forever’ by Robert Munsch which, for him was a great choice because of the colorful pictures and over and over song of “I’ll love you forever, I’ll like you for always, as long as I’m living, my baby you’ll be.”

But for me, it was brutal. I bawled — big, sloppy, swollen crying — because how is this all moving so quickly? This season is ending and then on into the next. One day, Little Foot will be the one to tell me what an Egret says.

 

 

loveyouforever