With one hand lightly resting atop Bunny’s middle back and the other navigating a blue-handled, circular brush in thin lanes along her shedding side, I’ve just realized that I should have probably put some sunscreen on the back of my neck. I can’t see it, but it feels dark pink.
Although it’s been about 6 weeks since I lobbed my hair off in search of revitalized, positive energy in the same way I was instructed to trim back my rosebushes during the winter (out with the old, make way for the new – see last summer’s blog post, ‘The Sun will Come Out Tomorrow’), I still haven’t gotten used to the maintenance and subsequent responsibilities of this asymmetrical pixie cut. Falling asleep with wet hair, for example, causes crumpled locks to stick every which direction (imagine tangled seaweed that tumbles onto the shore sprinkled with shells, bits of jellyfish, and water bottle labels) that are immune to both the hair straightener and various products. Their only cure is another shower which, most of time, I haven’t the time to take.
Sunscreen on the back of the neck is something that the spring sun has brought to my attention. I burn very easily – I have freckled, Irish skin with light pink undertones. I hang with the SPF50+ crowd – I hear we get sweet discounts at Luby’s. Don’t say that any SPF above 40 doesn’t make a difference – it absolutely does.
The donkeys are shedding in tumbleweed clumps. Our pasture is littered with roaming wads of light brown hair that travel in herds the same direction as the wind. I don’t remember the great donkey-hair migration from last year, but perhaps that’s because we’d just missed it by moving in late April versus early.
Tee bumps into the back of my knees and lets out a long, frustrated and flappy-lipped snort. I pat Bunny twice on the thigh and turn to Tee who’s anxious for his grooming.
Little Foot is sitting in a pile of loose dirt about 10 feet to my right, repeatedly stabbing a small stick into the ground with his left hand. His right is in the air, fingers spread, as if he needs it for balance and stability. He’s seated inside of a pair of jeans that are two inches too short and wearing a gray t-shirt with navy, blue letters that (very appropriately) say ‘Sleep is for the weak.’. Every once and awhile, he says, “bass” with a toothy grin.
As I’m stroking Tee’s back with the brush, I’m feeling somber. Something about spring makes me sad. It’s difficult to put my finger on it, though.
Perhaps it’s all the changes that have swallowed our recent lives. My mom always told me that I don’t do change well – attributing most of my adolescent and early-adulthood stress to anxiety and fear in my shifting circumstances.
I squash this idea, however, because for the first time in a long time, our horizon doesn’t seem to have the risk of change. King Ranch is thriving in his new (local) job, we’ve planted a garden that will likely take years to perfect, and we don’t really have a desire (or the need) to move anytime soon.
So, why the so-sads?
I run the brush over Tee’s jowls and along his neck. His brown eyes are fixated on Little Foot who is now tearing a large, green leaf apart as if it were wrapping paper on a small birthday present. His mouth is wide open, stuck at the intersection of glee and shock.
This makes me smile, but quickly, it falls.
Sadness is a strange concept. I feel like happiness and even anger can be pretty easily defined – (I’ve googled the definition of all three of these emotions):
Happiness – the feeling of pleasure and contentment.
Anger – the feeling of pain, hostility, or displeasure.
Sadness – The condition or quality of being sad. (wtf?)
Okay, so let’s see what ‘sad’ says:
Sad – feeling or showing sorrow, unhappy.
Sorrow? I feel like that’s dramatic, for me at least. I’m not sorrowful nor unhappy. I’m, well, I’m blue. In the dumps. Melancholy, perhaps, but hopefully not accompanied by the Smashing Pumpkin’s, infinite sadness.
Little Foot stands up, using his hands to push his bottom into the air first, and speedily scampers towards the next paddock with the pecan tree and the blue and green-striped hammock. I pat Tee on the rump and jog after Little Foot who’s faster than I would have expected from a young toddler.
My rubber boots make suction sounds against my bare feet inside of them as I jog through the silver-cattle gate and into the thicker grass of the front paddock. Little Foot is chasing after one of our Rhode Island Red chickens although I can’t tell if it’s Big Mama or Andre. He’s giggling uncontrollably at the squawking chicken which slows down his pace to more of a slightly traveling hop.
I catch up and scoop him into a bear hug, realizing I’m laughing myself. I tickle his ribs to keep the laughter going – he throws his head back, taking a huge gasp, before bouncing down another laughing chain that is even louder than the previous one. His nose is wrinkled allowing only the slightest sliver of blue to peek from his squinting eyes.
After a moment, I set him down onto his feet that are inside black and red cowboy boots. He quickly sprints off in the direction of the chicken, laughing.
I lean against a blue barrel and watch Little Foot and the red chicken run in zig-zags past the trampoline, back towards the pecan tree which is just barely sprouting leaves, back towards the donkey’s water trough. He’s so happy – with pleasure and contentment.
Little Foot has, I’m sure, picked up on the stress that King Ranch and I have been trying to gracefully navigate through over the past couple years, but he doesn’t know specifics. He just knows that now, he’s on somewhat of a regular schedule. We wake up, eat breakfast, get dressed, take care of the animals, nap, go outside and play, go inside and play (while mom works) and then dad comes home. We eat. We play. We all go to sleep. Stability is, I imagine, soothing for him.
Beside me, Bunny noses my arm leaving a thin trail of cool snot along my tricep. I rest my arm around the back of her head like a harness and she leans her weight into my side.
To Little Foot, consistency is contentment, but perhaps to me, consistency is a strange concept. King Ranch and I have been in flux as long as we’ve been together (almost 4 years) and separately, we both had loose ideas of stability for the years before that. Perhaps it’s consistency that frightens me because it’s so foreign.
Little Foot trips on his boots and faceplants into one of the donkey’s self-made dust patches, so I swiftly make my way to him. Picking him up, he’s still smiling as he’s breathing heavily and wriggles furiously to be free of my grip. I place him back down and as if he were a toy car that had been wound up to it’s capacity, the second his feet hit the ground, he speeds off in a crooked path towards nothing in particular.
I guess my mom is still right – I don’t do change well – the change being the potential of settlement. Perhaps this is what sailors who have spent years on the sea feel like when they come home and promise their children that they’re done with their travels.
When you spend a great amount of time shifting, I think you lose sight of who you are as a person. I think that’s why I chopped off my hair and why I’m somewhat considering having bright blue streaks put in it – because I’m searching for that person that exists below circumstance.
I’m remembering when I was having one of these very identity crises as a freshman in college, my roommate sat me down on the floor of our dimly-lit dorm room and said to me, “You are Jess. You like screamo and Celtic music, running, and peanut butter sandwiches. You pretend like you don’t watch Dawson’s Creek, but you do and you actually like it. You like analyzing feelings. You like to make people feel good. So why on Earth do you give a shit what your ex-boyfriend’s new girlfriend thinks of you? You’re you. There’s no other you.”
I wonder if she remembers this conversation. I wonder how she’s doing and know that wherever she is, she’s doing great because she won’t allow anything less for herself – and I admire that.
But I also wonder if she has any clue how much that conversation meant to me – that 12 years later, I’d be channeling my inner her and reminding myself that I am me, despite circumstances.
Events happen and they all serve as saws, knives, and sanders that shape the wood carving that is our life. And if there’s a misstep and a finger is accidentally sliced off with the slip of a grinder, well, you go with it. You give your statue a mitten instead.
I guess I’ll call this time, transition to something. I’m not going to force myself to smile or be any way other than screamo, Celtic, closet Dawson’s Creek, me. If that involves a season of “I don’t even know, man,” then, that’s fine, right?
My kid’s laugh certainly bring me joy. As does King Ranch’s growing confidence and sense of purpose in his new career. As do my sweet, shedding donkeys. Soon enough, I hope to find that in me which brings organic joy. In the mean time, I’ll keep picking away at this pile of wood with all my carving tools until I discover that which soothes this season of semi-sadness.